Throughout the history of mankind the notions of delusions have always been explored. Delusions/ dreams have not essentially hold the same cores but slowly changed with the changes in social understandings, environment and beliefs. It is understood that concept of religion in the US originated from Europe and that Puritans were the initial people who owned land in Americans. (Indians were the original owners). Irving (1996).
It is well know that the Puritans moved to America to flee religious harassment; there dream was to have economic, religious, and social freedoms. In the colonial period individuals were known to be clean and there was no evil that was heard, seen, or said about. As superstition started to come into their daily lives, there were people who started commencing to a new way of life. This brought about the birth of the Gothic era; this meant that the entire splendor that was held in the colonial time was sluiced away with the coming of reality. The main aim of gothic was to unstitch the reality and show how evil the world was. Later on after this notion was overestimated and confusing people began to express themselves devoid of all of the gloom. The new era was later known as realism and its main purpose was to reveal the reality devoid of all of the allegories. Christine (1994).
Pragmatism also denoted the notion of warfare and how the human beings were at the clemency of the environment. This meant that Human beings were no longer the determinants of life but the environment. During this era most women turned to be more open-minded and entities of the old puritan ways. These women no longer served their spouses but searched a new world of enthusiasm; this period later changed and turned to be what is known as post-modernism. Also during this period, the society considered having fun all through out day and night. In this period of Post-modernism people also believed that individuals ought to look into the past for them to be able to save the future. Irving (1996).
It should be noted that the American dream is recurrently worked for except when it doesn’t seem to profit the citizens then what is it good for? In the era of post-modernism people see that the American dream is not limited amid particular individuals or groups but it is generally explored. This dream is based on erratic such as economics, gender, race, social class, and political concerns. The American dream was radically transformed and it unlocked its doors to a community of dissimilar genders and races. Christine (1994).
At this time women were could now succeed and become part of their spouse’s world. In the story the Raisin in the Sun a wealthy Black-American was also introduced, George who took all of the erratic of this redefined dream. This man was in a campus and he was also working towards an improved profession. This young man had class and also a very good educational background. This narrative was an ideal indication on the strengthens of a black-American who is trying to move towards the new redefined dream. Irving (1996).
When it came to economic concerns citizens started leaving the depression and started working in order to stay alive. During this era, the society did not use up their money like the way they did in the 1920’s. But began saving for the fear that a further depression would come. During the pos-modernism era many people paid more attention to political matters and this was because they had a fear of an economic down fall. Post-modernism also gives a special life style that was portrayed in several literature dramas. Many authors express the concept of how the history is apt to haunt the present.
During the post-modernism people see how the some parents appear to loose their minds in the olden days due to the feeling that they weren’t able to achieve several thing while they were young. This turns out to affect the children, when their parents are often attempting to force them to accomplish their dreams; therefore they think that is the only what will make them happy and secure. Christine (1994).
References
Irving Sandler (1996). Art of the postmodern era: from the late 1960s to the early 1990s. Icon Editions, Michigan.
Christine Sylvester (1994). Feminist theory and international relations in a postmodern era. Cambridge University Press, London.