“Spring”: Teaching Planning and Curriculum Research Paper

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Updated: Feb 28th, 2024

Introduction

The topic selected for the collaborative design of a teaching and learning plan is “Spring.” The target age group comprises five-year-old children from early years centers. The plan is composed of several episodes including such art-based experiences as sound, visual art, music and dance movement, and drama. Each of these activities is reported to have a positive effect on young children’s development. For instance, Savva and Erakleous (2017) remark on the positive role of play in children’s arts education.

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Hartle, Pinciotti, and Gorton (2014) note that the inclusion of visual arts, music, drama, and dance in early years classroom activities allows gaining the integration of learning experiences. Barton (2015) also emphasizes the benefits of art education at a young age due to several crucial outcomes, such as positive social interaction, physical and cognitive development, and the enhancement of problem-solving skills. Additionally, teaching young children arts develop their imagination and inspires them to be creative and inquiring.

One of the episodes included in the plan involves the inclusive practice catering to diverse abilities and characteristics. Specifically, episode 2 comprises aboriginal drawing and a variety of art-based experiences for children whose interests are diverse, and whose abilities in different areas are not equal. With the inclusion of such a variety of experiences, it will be possible to gain better involvement of children and to increase the level of inclusion of every child in the course of the lesson, as well as in the succession of lessons.

The rationale behind the selected theme – “Spring” – is associated both with the children’s age and with the school’s location. With the end of winter and the beginning of spring, children frequently ask questions about birds’ arrival and flowers’ growth. Young learners are rather interested in how birds sing, where flowers have been during winter, and why worms appear. The understanding of children’s interests led to the selection of such a topic.

Additionally, it is easy to relate the chosen theme to the Early Years Learning Framework (EYLF). Specifically, teaching children about the processes occurring in nature in spring allows fulfilling outcome 2, which presupposes the connection and contribution of children to their world (“Belonging, being & becoming,” n.d.). Hence, while studying this topic, young learners will enhance their understanding of the world in which they live, as well as explore the diversity of culture.

Another goal to be fulfilled with the selected theme is outcome 5, which involves children’s interaction with others for a variety of purposes. Particularly, children will use creative arts to express their ideas and employ language to share their thoughts (“Belonging, being & becoming,” n.d.). The reason why the selected pedagogical approach is pertinent is that a play-based approach develops children’s imagination and teaches them to apply the obtained knowledge in life (Savva & Erakleous, 2017). Learning through art enables young learners to share their feelings, communicate with peers, and explore the world in which they live (Barton, 2015; Hartle et al., 2014). Thus, the topic is suitable for the target age group since it will help to gain several important outcomes of the EYLF.

Episode 1

Arts Subject: Music – Sound

There are several goals to be pursued by this episode and its activities. First of all, children will be able to express their ideas through music exploration. Secondly, they will be able to understand their environment better. Thirdly, young learners will try to develop their own compositions by taking inspiration from the musical pieces they hear. Overall, children’s understanding of the world surrounding them will become enhanced as a result of the activities performed.

Learning Outcomes and Links to the Curriculum

The learning outcome on which the episode focuses most is outcome 2, which involves the connection of children with the world they live in and their contribution to the environment. The outcome includes the following major ideas:
  1. Children cultivate a sense of belonging to their community or group and gain the realization of their reciprocal rights and duties which are crucial for active participation in the community’s life;
  2. Young learners treat diversity with consideration and dignity;
  3. Children learn to be conscious of fairness;
  4. Children understand how to take care of the environment and how to be socially sensible (“Belonging, being & becoming,” n.d.).

Another learning outcome linked to the curriculum is outcome 3, which involves developing a strong sense of wellbeing in young learners. Specifically, children are encouraged to develop secure social connections and enhance their emotional wellbeing (“Belonging, being & becoming,” n.d.). Also, they start being more accountable for their own physical wellbeing and health. To promote these goals, teachers should encourage learners and motivate them by praising their efforts (“Belonging, being & becoming,” n.d.). Furthermore, an educator might help children to understand their emotions and recognize their achievements.

Literature

Music is a form of art the medium of which is sound. However, there is much more to music than satisfying listeners’ aesthetic needs. For instance, research indicates that music can produce a cognitive effect on children’s development (Schlaug, Norton, Overy, & Winner, 2005). Due to having a variety of patterns and tones, music can serve as a helpful template for promoting children’s literacy skills (Vaiouli & Friesen, 2016). Scholars note that music demands focus, flexibility, and attention, so it can make a considerable contribution to children’s learning in various subjects. What is more, music can perform the function of unifying young learners with different abilities (Vaiouli & Friesen, 2016). Music is especially beneficial for children with developmental disorders since it can help to alleviate their symptoms.

It is crucial to emphasize the relationship between hearing and other senses. In particular, it is necessary to analyze the children’s capability of experiencing synaesthesia, that is, “seeing” particular music notes as colors (Rich, Bradshaw, & Mattingley, 2005, p. 53). Synaesthesia is a phenomenon involving the resonance between two different senses, such as vision and touch or vision and hearing (Curwen, 2018; Yamawaki & Shiizuka, 2006). While synaesthesia is considered a phenomenon difficult to recognize and explain, it may be used as a method of connecting sounds and images for the improvement of children’s learning of music.

Finally, in the context of the present episode, it is important to discuss the benefits of exploring musical instruments and composing. According to Artan and Balat (2003), musical instruments allow children to gain experience associated with sounds. Furthermore, instruments perform a significant function in the process of supporting the development of skills in young learners. Additionally, children can explore and create music of their own with the help of instruments. The benefits of composing music are evident since this process enhances creative thinking, imagination, and perception.

Learning Sequences

Activity 1: Music and color synaesthesia

The first activity is focused on letting children listen to a variety of spring and winter sounds and asking them which ones sound more like spring. It is expected that children will identify more cheerful and light sounds with spring and more serious and gloomy melodies – with winter. Afterward, the teacher will give children a variety of colors to choose from and draw the patterns which, in their opinion, represent spring.

Activity 2: Exploring instruments and composing a spring sound

The children explore different instruments and try to compose their own spring sound or melody (in groups of three children in each).

Activity 3: Performing sounds

The third activity involves performing the sounds children created in groups in front of the class (requires formative assessment).

Assessment

Formative assessment

The process of evaluating children’s skills at this stage of development requires formative assessment (FA). Unlike one-time tests or interim assessment tests, which are held once a year or several times a year, respectively, FA presupposes regular frequent evaluation of children’s abilities and skills. Additionally, FA involves a multitude of evidence sources collected over time (Riley-Ayers, 2014). With the help of this approach, the teacher can evaluate children’s achievements based on data rather than personal judgment. Since FA is an ongoing process, it allows for continuous feedback used by both educators and learners to gain the best outcomes and enhance children’s achievement (Riley-Ayers, 2014). During the activities created for episode 2, FA will be employed to collect objective data on learners’ achievements and improve their instructional outcomes.

References

Artan, I., & Balat, G. U. (2003). Recognition of musical instruments by children between 4 and 6 years of age and research concerning the natural sounds they associate with those instruments. Contemporary Issues in Early Childhood, 4(3), 357–369.

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Barton, G. (2015). Arts-based educational research in the early years. International Research in Early Childhood Education, 6(1), 62–78. Web.

Curwen, C. (2018). Music-colour synaesthesia: Concept, context and qualia. Consciousness and Cognition, 61, 94–106.

Belonging, being & becoming: . (n.d.). Web.

Hartle, L. C., Pinciotti, P., & Gorton, R. L. (2014). ArtsIN: Arts integration and infusion framework. Early Childhood Education Journal, 43(4), 289–298. Web.

Rich, A. N., Bradshaw, J. L., & Mattingley, J. B. (2005). A systematic, large-scale study of synaesthesia: Implications for the role of early experience in lexical-colour associations. Cognition, 98(1), 53–84. Web.

Riley-Ayers, S. (2014). . Web.

Savva, A., & Erakleous, V. (2017). Play-based art activities in early years: Teachers’ thinking and practice. International Journal of Early Years Education, 26(1), 56–74. Web.

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Schlaug, G., Norton, A., Overy, K., & Winner, E. (2005). Effects of music training on the child’s brain and cognitive development. Annals of the New York Academy of Sciences, 1060(1), 219–230. Web.

Vaiouli, P., & Friesen, A. (2016). The magic of music: Engaging young children with autism spectrum disorders in early literacy activities with their peers. Childhood Education, 92(2), 126–133. Web.

Yamawaki, K., & Shiizuka, H. (2006). Synesthesia and common recognition concerning music and colour. Proceedings of the Institution of Mechanical Engineers, Part I: Journal of Systems and Control Engineering, 220(8), 735–743. Web.

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IvyPanda. (2024) '“Spring”: Teaching Planning and Curriculum'. 28 February.

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IvyPanda. 2024. "“Spring”: Teaching Planning and Curriculum." February 28, 2024. https://ivypanda.com/essays/spring-teaching-planning-and-curriculum/.

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