Analyzing a design in order to check its efficiency and comment on its strengths and weaknesses is not an easy task, mostly because personal taste issues will most likely stand in the way of an objective evaluation.
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However, when taking a wholesome construction of a design of a particular object or site apart, one can possibly provide an adequate evaluation of the expressivity of the chosen artistic means and the message that the design in question conveys.
Although the way in which the SOL dome looks might strike one with the lack of meaning and expressivity, after a thorough analysis of its elements, one will be able to see the efficacy of the chosen medium and the uniqueness of the construction.
A single glance cast at the SOL installation is enough to be impressed by its grandeur and magnificence; truly a work of art, it incorporates the modern idea of what technology is and what it is going to be. First, it is important to stress that the material
When it comes to the color cast of the installation, one must mention that the artwork, as well as its creator, has stuck in the eighties, with the rainbow-like choice of colors and the combination of the color cast with the texture.
Although the latter can be considered a technological breakthrough, as it has been mentioned above, the palette chosen by the artist washes the message that the given texture conveys away and sets the stage for the fashion of the era whose time in the sun was at least two decades ago.
It could be argued, though, that the choice of colors was restricted by the material that was chosen for the installation. Indeed, when it comes to picking the palette for solar powered LEDs, an artist is most likely be restricted by the limitations of the material; in fact, the audience was lucky enough to see the sculpture the way it was made, luminescent yet at the same time not shedding an acid bright light all over the place.
Nevertheless, taking the honeycomb structure into account, one can assume that the choice of a warm color instead of a cold palette would have been a much more reasonable choice; in fact, the color of steel would have hit the chord with the general idea of the installation in a much better way.
However, the message has still been conveyed efficiently. The author of the installation has out a proper emphasis on the role of technology in the present-day world by stressing the fact that the construction is powered by the sun. Thus, a cautious remark about the nature vs. nurture conflict has been made.
That being said, the SOL dome definitely makes an impression. It can be argued that the shape of the construction lacks clarity and that the color cast could be improved for the installation to be brighter, therefore, pushing its exotics to the breaking point and, thus, transporting the audience to the postmodern era.
However, the fact that the author of the installation decided to take such a bold step by crossing the line between retro and technological breakthrough eras that the installation definitely deserves being looked at a bit closer. A love letter to the era of the 80s from the glamorous and sophisticated 2010s, the SOL is definitely worth a prize for its originality.