Chicago is a cult film that has been remastered into a musical and then a remake with similar components as the original. One of Aristotle’s elements, song, has been masterfully applied in relation to the musical as the music in the film portrays the emotions of the characters in a theatrical way. The protagonist, Roxie, is not exactly a positive character and shares multiple traits with the main protagonist, Velma, such as the desire to acquire fame at any price, proneness to violence, arrogance, and deception. However, based on the traits of all the main characters, it is challenging to identify a protagonist. An element that fits the criteria of Chekhov’s Gun and significantly impacts the events within the storyline can be recalled. Namely, when Katalin is executed by hanging, which motivates the protagonist to hire the lawyer back.
The central dramatic question is whether Roxie can manage to avoid punishment for killing her lover. However, complications such as her initial lies that have been discovered and the diary create suspense (Marshall). The climax, however, portrays both the protagonist and the antagonist as managing to escape justice through the intelligent maneuvers of the lawyer. Thus, the climax is both satisfying and confusing to the audience as it is challenging to identify with a particular character. The primary aim of the creators was to illustrate a dramatic story while entertaining the audience and encompass various elements into one piece of art. Such themes as fame, justice, and jealousy are presented through dance, music, and dialogue. The goal was accomplished, which implied the film was worth shooting.
While Chicago may reflect Bob Fosse’s worldview or relationship, it is uncertain as artists are able to dissociate from subjective circumstances. Rob Marshal’s approach, on the other hand, was slightly different as the transition between drama and musical became smoother. It is more suitable for current audiences and creates more effective transitions.
Works Cited
Marshall, Rob, director. Chicago. Miramax Films, 2002.