Charlotte Perkins Gilman, the author, thinks of Jennie as a truthful human being. She is also fond of her character and often reflects upon the traits and skills Jennie has.
The narrator feels sorry for the woman named Jennie. She got into depression and is now being controlled by her husband and brother. Although the woman initially scared the narrator, she later felt compassion for her. Gilman wanted to free Jennie at first. After the narrator associates the woman in the wallpaper with Jennie and herself. She spent a long time staring at the wallpaper with the woman.
To begin with, the narrator is extremely curious about the lady he receives; she finds it in the background. She starts to examine the wallpaper more closely as soon as she begins to “see” this “lady.” It is evident, now, that she is starting to have a genuine mental breakdown. Her mental state gets worse, which is sad. Moreover, she gets resentful and furious about the lady in the wallpaper. She needs to understand why the woman is in such a situation and how to get out of it.
The lady becomes more evident when the storyteller focuses on her. But she vanishes when others encircle the storyteller. At long last, the storyteller attempts to free the lady by tearing down the yellow wallpaper. She gets mad at the lady when she won’t appear. Thus, the storyteller starts to “creep” around the room with the expectation of ambushing the lady. These connections mean the storyteller’s job in the public eye, just as the outcomes of post-pregnancy anxiety.