Beethoven’s Seventh symphony has no equal. The symphony is articulately arranged and established with unique flow of both chords and musical patterns. Listening to the seventh symphony one may note that the music is purely priceless; it is not an impersonation of someone’s ideas.
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Thus, it can be argued that with its rich texture and timbre the symphony is exceptionally great. This illustrates that the seventh symphony is beyond any common explanation. The manner it stimulates thrills and captures the imagination of the listeners with its musical beauty and glory, it is awesome. The introduction, for instance, is developed and arranged in a manner that it strikes an addictive attention.
This can be allied to the manner the instruments have been arranged in order to synch with the tempo. More so, the symphony’s imposing orchestra chords, and the compliments of wind instruments such as oboe makes the symphony have a taste that is extremely majestic. Hence, the smooth ascendancy of its sonorities makes the symphony rhythm and movements have an effect that cannot be compared to any other symphony (Grove 80).
It ought to be noted that Beethoven gave the symphony its magnificent touch by establishing strong rhythms which are tied to the symphony’s themes. With the impact of individual dynamism the symphony is etched along the pillars of integrating diverse instruments with selected and tested alterations.
These measures seem to have aided the composer in developing the diverse elements which are apparent in the symphony. Consider the fact that the seventh symphony is almost without any elements of slow movement, yet its mood is extremely exuberant. Yet, it has less melody which is also complimented by less usage of strings.
From such a creative alteration of chord the symphony is equally propelled to its greater heights by the manner Beethoven injecting both major and minor chords interchangeably. Also, as the symphony gains in moment, it is evident that he introduced a new melody which is accompanied by dissimilar rhythm, bassoons as well as clarinets yet the temple and the pulse of the symphony remains intact.
More so, another notable feature of the seventh symphony is the way the diverse musical notes are exploited from a simple texture to the more complex key patterns we find the notes being craftily altered.
With the use of violin the symphony captures the imagination of orchestra lovers, while at the same capacity he sets motley of short notes against external rhythm of the symphony. And this established the allegretto movement in the composition (Steinberg 54). Subsequently, the arrangement of strings and the usage of G-sharp which is elaborately sustained by brilliant twining of horns, trumpets and other assorted instruments are superb.
What I have discovered is that the symphony has unique delay effect that is difficult to pick. This can be testified by the way singular octaves rise and drop creating a sublime melody. And this can be said to be the third feature that is unique to the seventh symphony. The instrumentation of this symphony indicates that it is divided into four major segments. Each segment is defined as a movement.
However, according to diverse music pundits the second movement which is popularly known as Allegretto is the most popular. Though, the symphony itself was developed with the core introduction being etched on the traditional orchestral traditions, it is no surprise that it has such a lengthy introduction, yet so impressive and aesthetically independent both in content and character and this separate the seventh symphony from the preceding symphonies.
It ought to be noted that it has definite and impressive structural design that can be said to be anchored within the range of C-major. And this makes the seventh symphony rhythmically a danceable piece. Note that, the rhythm is well tied to the entire instrumentation where the tempo is neither fast nor slow and this makes the entire piece to be a movement in the dancing context.
Thus,in exploring the entire configuration of seventh symphony we can argue that the arrangement sand the composition is total consigned to exposition which is equally transferred with dynamic transpositions. And this gives the symphony the movement depicted as allegro.
More so,the other factor is that the establishment of diverse tones ranging from the F-ajor scale with minor tones moving towards 6th scale with the extent of A provides a sound explanation of symphonies tendency to move towards its unique simplicity which is in the domain of E, a dominant feature all through the symphony.
In essence, this establishes the symphony’s unique context both in presentation and performance. With unconventional method the tones,chords,harmonies as well as the tempo are all integrated to give the piece the unique timbre making the symphony danceable and equally enjoyable to listen, it has a smooth texture that is a product of harnessing the elements of treble G-major which happens to e the ultimate musical hierarchy.
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The vivacity which is evident in tone and rhythm ascertains the symphony’s audacity and its splendid vitality. It ought to be noted that the manner the symphony transcends and descends is an ultimate score in symphonic movement.
With sustained chords, smooth flow of basses, violin and unassumed dominance-note- E establishes the resounding melodic tune swayed by elaborate accompanienment of D-major which is also supported by the home-keys. The seventh symphony can be said to be the genius composition by Beethoven in his earlier symphonies (Hopkins 155).
Grove, Sir George. Beethoven and his nine symphonies .New York: Dover, 1999.
Hopkins, Antony. The Nine Symphonies of Beethoven. London: Heinemann, 2001.
Steinberg, Michael. The Symphony: a listener’s guide. Oxford, 1995.