Horror films have become one of the fundamental genres of cinema, the popularity of which is not inferior to the other styles. The reason for it is the specific reaction of the target audience, namely a powerful emotional impulse. Moreover, it becomes a psychological relief for some persons, which helps to distract from one’s problems. Horror films are not the modern version of public lynching; they formulate a way for people to obtain a strong emotional response through fear.
Fear is a primary human emotion, which manifests itself as an instinct for self-preservation, namely a reaction to a potential threat. It may seem strange for one that people pay money to feel such an unpleasant emotion while watching horror films. However, in the essay Why We Crave Horror Movies, Stephen King argued that people aim to re-establish their feelings of essential normality (King, 1). In other words, one tries to reset their ordinary feelings for many reasons. Some are distracting from problems in this way, others get a dose of adrenaline, and sometimes horror films become a way to throw out their emotions in a movie theater and not on other people.
Any art must evoke emotion and promote the individual experiencing ethical pleasure. Watching horror movies seems to have nothing to do with the ethical aspect. However, the success of horror movies, to more extent than other genres, depends on the audience’s reaction (Glasby, 7). The strong reaction makes horror films stand out in terms of the criteria for assessing art. Indeed, few people can lag behind absolutely indifferent when watching scary scenes. Besides, the powerful emotional response makes horror films so popular and successful nowadays.
To conclude, one identified that horror films do not formulate a form of modern public lynching. They are the one’s method to receive the bright, emotive response. There are various reasons for it, beginning from obtaining psychological discharge and ending to distracting from reality and one’s urgent problems. The audience’s reaction is the key point to evaluating the horror film’s success and why it is considered art.
Works Cited
Glasby, Matt. The Book of Horror: The Anatomy of Fear in Film. Quarto Publishing Group UK, 2020.
King, Stephen. Why We Crave Horror Movies. Web.