I would like to share my impression of one of the most recognized artworks by Grant Wood – American Gothic.
This famous piece of art is proven to be an icon for the United States of the twentieth century, and I have seen numerous replications of its composition from contemporary artists. I am fascinated by the way the author uses geometrical forms in landscape and building design to complement the sternness of farmers’ facial expressions. I like the old-fashioned style of their outfits, especially considering the inclusion of patterns that create additional contrast with the background. I enjoy this painting, despite the fact that these persons’ gazes can be described as uncanny and somewhat unwelcome. The addition of gothic forms to the image puts an emphasis on the archaic design of the rural areas and, possibly, the views of the people who live there. It has been difficult to stare directly in the eyes of the farmer for a prolonged time, which is a fantastic effect to achieve without hurting the attractiveness of the overall composition.
This artwork has raised a significant amount of controversy originating from the residents of Iowa, who claimed that it is a caricature of their lifestyle, while the author explicitly stated that it was not so.
After reading the impression from the Arnolfini Portrait by Jan van Eyck, I can not help but agree with the observations regarding the duality of feelings invoked by it. The painting presents an astounding quality of effects and detail, especially considering the date it was created. Yet, some of the elements indeed create an offbeat feeling, making it attractive for a viewer in a unique way.