Film art is not the antithesis of everything audiences have always loved about movies, and it cannot be found in return to that formal high culture. Instead, it is everything that audiences have always loved about movies, but much better. Moments of thrill persist longer and take on new meanings as a result of the provocative gesture being continued. The movie is, at best, solely dependent on how much viewers appreciate movie trailers.
It could be a good idea to bear in mind that if a film is referred to as a work of art and people do not like it, the fault might be on them, but they are not, keeping in mind the basic, sound difference that all amusement is not art. most likely in the film. Every week, numerous reviewers find a new masterpiece due to budgetary constraints and commercial pressure, and the choice of even more important yearly masterpieces is influenced by cultural snobbery and a desire for respectability. The replication of prior cinema art or the borrowing from reputable, acknowledged works in other art forms are what are most frequently considered as signs of excellence in foreign films.
Serious film critics occasionally exhibit overt hypocrisy. The majority of cinema critics perceive their personal preferences as the primary area of critique. Some people believe that being objective entails depending on the predetermined criteria of cultural acceptability and general consensus. Film journalists yearn to ascend in terms of the cultural norms of their former high schools, much as filmmakers do as they get older, and yearn for the respectability that they formerly associated with it.
It is critical to realize that entertaining movies do not always have to be excellent. A good movie may revive one’s sense of life, make them care, and restore their faith in possibilities. People can still enjoy a strong performance or just a good picture even if the movie is not fantastic since it might be ridiculous and pointless. The romanticism of movies may be found not only in the narrative and characters you see on the screen but also in the youthful fantasy of running across other people who share a person’s feelings about what he just watched.
The younger generation has started to talk about trash as if it truly is a very significant art, and although the older generation was persuaded to overlook junk, it is not always simple to come to grips with what one enjoys in movies. In addition, there is the freeing delight of corny movies. Since garbage should not be taken seriously and was only ever intended to be trivia and amusement, it does not fit into the academic tradition. This is part of what makes such movies so entertaining. Movies are also entertaining in part because they show how absurd and pervasive many people’s imaginations are. People want a different truth in the film, not a distinct portrayal of ordinary routine.
The issue with popular art is that the millions of people who consistently watch it for the first time or for the comfort and joy of seeing the conventions fulfilled once more vastly outweigh those who desire something more. Whatever the authors’ and the director’s initial goals were, as soon as shooting gets underway, the purpose of making money generally takes precedence, and the success of a film is determined by how successfully it achieves that goal.