Introduction
When observing the greatest works of art that portray the same event and historical or mythical figure, one can notice many differences in how artists viewed and created them. For example, in the history of sculpture during the Renaissance and Baroque eras, a common subject refers to whether Michelangelo or Bernini most truthfully illustrated the character of David. Although both statues are masterpieces, Bernini’s best aligns with the Book of Samuel’s descriptions.
David Depicted by Michelangelo, Bernini, and Scripture
To prove my opinion, I should refer to the Old Testament. When talking to Saul, David describes in detail how he approached a lion and a bear, then “seized it by its hair, struck it and killed it” (New International Version, 1 Sam. 17:35). Similarly, when facing Goliath, he threatens him in a pretty expressive manner: “I’ll strike you down and cut off your head. This very day I will give the carcasses of the Philistine army to the birds and the wild animals” (1 Sam. 17:46).
These are not only threats, and David cuts off Goliath’s head after murdering him (1 Sam. 17:51). These descriptions indicate that the young man can be fierce and cruel. The face of Bernini’s sculpture perfectly portrays such emotions. Michelangelo’s David seems more arrogant and calmer, while the other version shows the young man’s intentions to kill the enemy and do that cruelly. The former’s posture does not highlight his readiness to protect his people and secure God’s rule, but Bernini’s David demonstrates such readiness.
Conclusion
To conclude, both sculptures portray the young man with certain differences, yet they become masterpieces and allow viewers to choose which of the Davides they like more. Bernini’s version seems to follow David’s description from the New Testament and better illustrate his character. In Michelangelo’s statue, the young man lacks cruelty and expressiveness, with which he kills the enemy in the Book of Samuel.
Work Cited
New International Version. You Version. Web.
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