Visual art is a highly prominent feature discovered in the early 17th century. Visual art has played a prominent role in people’s education, mythological issues, historical events, intellectual issues and figurative subjects, becoming the first performance style of art in the world. Narrative stories are the source of most artists in the world, expressing their powerful engine to physical appearance. Apart from painting, some of the narratives designed convey moral judgment while others offer diversions to people. Narrative stories created by individuals, out of experience and empirical literature survey, characterize creativity from various artists.
Visual art is antagonistic art that is unacceptable and watched out from all over the world as analyzed by Eduardo and Thackeray. This analysis has grouped art in two ways i.e. practical art and narratives art. The results show that there is a slight difference in various artworks with minimal similarities hence formalizing artwork by defining their color determination and powerful sway. Art has different perceptive directions in people’s lives. Some people like practical artwork and others like narration art from the analysis made by the earliest models. Painting is an example of practical art. Some people like painting because they believe that this artwork values and protects their historical monuments that build their dignity and reputation. Painting is exercisable work and one develops his or her ideas personally from it by drawing various thoughts, putting them on the boards and in the papers as their reference in the future generation.
Owen, an artist, liked artwork. He described the postmodern version of narrative as a story in narrative art, believing that it represents a deeper meaning of an event or character. Allegory is a feature of postmodernism that leads to eligible work of art, characterizing traditional sense. From Owen’s analysis, we learn that artwork is an unforeseen event created from interpersonal thoughts. From the point of view, practical art as seen from the events of painting, it takes ones thoughts to deliver writings and paintings monuments to the real-life situation. Meanwhile, Narratives are another part of art. From videos we watch, we experience fictional narratives, which casts the truth as a shadow of doubt in people’s lives. In the 1950s, Douglas set an evolution video production to viewers with an aid of portraying narrative real artwork done practically. From his shorts i.e. thriller short, we learn that visual narratives affect people’s lives. The analysis shows that we cannot believe anything that happens only with our eyes but also with our ears. The clarification from Douglas videos makes us believe him on his models. Meanwhile, documentaries are a mixture of fictional scenes from the movies, Poetry incorporation, and various quotations from books as well as voice initiatives from actors. This results into similarities that relate all artists within the artwork environment to share some ideas and present their thoughts, creating stories and scenes that make sensible events in real-life situations.
In the art, we also have Mutable, incoherent and inconclusive narratives told by untrustworthy narrators. This is an example of conventional postmodern stories as seen from the analysis. Novelists have created these interests by writing their books based on practical work done by other models. Kabakov is a novelist who has lived to believe that he would rather exercise his novelist’s artwork than be a reporter. This is after he saw the work of videos done by other models suggesting that personal expression is a sign of dignity that comes at a greater cost. Everyone who is in the field of art values his area of interest and makes sure that he shows perfection in it.
In conclusion, artwork models believe that all ideas associated in the field of the art has similarities hence every event, thoughts and ideas depend on each other.