Mythological Figure of Polyxena Research Paper

Exclusively available on Available only on IvyPanda® Made by Human No AI

Introduction

First of all, I would like to say that Polyxena is probably one of the most controversial female figures in Greek mythology. The story of her life and death represents all the tragedy of women in the ancient society. She was the youngest child of Priam, the King of Troy. After the outbreak of the war, Polyxena was captured by the Greek soldiers and soon she was given to Achilles, the murderer of her brothers. Up to this point, ancient authors are unanimous narrating the story of this woman, but later they present rather different versions. Some sources suggest that she fell in love with Achilles and killed herself after his death. In the mean time, Euripide, the famous Greek playwright, claims that Polyxena revenged herself upon Achilles, by revealing his most guarded secret, his major weakness, the famous heel.

Main body

When the Trojan War was drawn to a close, the ghost of the great warrior demanded human sacrifice in his honor, and the victim had to be Polyxena, the person, who betrayed him. Here, we have arguably one of the most interesting moments: this woman did not even try to protest against it; on the contrary, she readily accepted her fate. Her major concern was to stop this bloodshed, and her death symbolizes the end of the war.

It is possible to analyze this myth from various standpoints; I would discuss it from feminist perspective. Overall, in ancient society, women were often regarded as a commodity, which can be sold and resold, every person who attempted to rebel, was severely punished (Reeder, p 45). Greek myths present them as helpless creatures, who were completely dependent on men. But there were some, who dared contradict, and Polyxena was one of them. Her selflessness eloquently proves this argument. This woman allowed herself to be sacrificed not because she was feeling guilty of Achilles downfall, but because she was eager to stop the Trojan War. Neoptolemus, Achilles’ son, kills her but she does not lament her lot. To a certain degree, this scene also illustrates the helplessness of this female character. Polyxene combines fragility, and vulnerability with courage and strength. These qualities create a very powerful image, which cannot be overlooked, especially if we are speaking about the Trojan War.

There is very interesting detail: at the very beginning, when the Greek forces were only starting for Troy, another woman, Iphigenia was offered to the Olympic gods in order to ensure their success. These two characters turned much braver than some famous warriors. In my opinion, they only emphasize the whole futility of war, which always makes innocent people suffer. Besides, the famous warriors did not have any qualms of conscience about it. The figures of Polyxena and Iphigenia eloquently prove that under some circumstances, women can be much nobler than the opposite sex (Kaltsas, p 55). They are not just lambs for the slaughter as it may seem, they are almost willing to sacrifice themselves for the sake of other people.

To conclude, Polyxena represents the paradoxical nature of women in ancient Greek mythology, this character is an example of weakness and strength, perfidy and nobility. While analyzing the Trojan cycle, it is necessary to pay extra attention to this figure, because without it our understanding of this issue will be incomplete.

Bibliography

Andrew Stewart, Art, Desire and the Body in Ancient Greece (Cambridge 1997).

Averil Cameron, Amélie Kuhrt (eds.), Images of Women in Antiquity (London, 2nd ed. 1993).

Catherine Johns, Sex or Symbol. Erotic Images of Greece and Rome (Austin 1982) David M. Halperin – John J. Winkler – Froma F. Zeitlin (eds.), Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World (Princeton 1990).

Diana E. E. Kleiner, Cleopatra and Rome (Cambridge/Mass. 2005).

Diana E. E. Kleiner – Susan B. Matheson (eds.), I Claudia. Women in Ancient Rome (New Haven 1996).

Elaine Fantham et al., Women in the Classical World (Oxford&New York 1994).

Ellen D. Reeder (ed.), Pandora. Women in Classical Greece (Baltimore 1995).

Eva Cantarella, Pandora’s Daughters (Baltimore&London 1981).

Eva Cantarella, Bisexuality in the Ancient World (New Haven 1992).

John R. Clarke, Looking at Lovemaking: Constructions of Sexuality in Roman Art (Berkeley 1998).

Eve D’Ambra, Roman Women (Cambridge 2007).

Angelika Dierichs, Erotik in der Kunst Griechenlands (Mainz 1993). – only for images Lin Foxhalll, John Salmon (eds.), When men were men (London&New York 1998).

Lin Foxhall – John Salmon (eds.), Thinking Men: Masculinity and its Self-Representation in the Classical Tradition (London 1998).

Mark Golden – Peter Toohey (eds.), Sex and Difference in Ancient Greece and Rome (Edinburgh 2003).

Judith P. Hallett – Marilyn B. Skinner (eds.), Roman Sexualities (Princeton 1997).

Nikolaos Kaltsas – H. Alan Shapiro (eds.), Worshiping Women. Ritual and Reality in Classical Athens (New York&Athens 2008).

Natalie B. Kampen (ed.), Sexuality in Ancient Art (Cambridge 1996).

Martin F. Kilmer, Greek Erotica on Attic Red Figure Vases (London 1993).

I Claudia II. Women in Roman Art and Society (New Haven 2000).

Ann Olga Koloski-Ostrow, Claire L. Lyons (eds.), Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology (London 1997).

Laura K. McClure (ed.), Sexuality and Gender in the Classical World. Readings and Sources (London&New York 2002).

Sarah B. Pomeroy, Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity (New York 1975).

Marilyn B. Skinner, Sexuality in Greek and Roman Culture (Malden/Mass. 2005).

Mary R. Lefkowitz – Maureen B. Fant (eds.), Women’s Life in Greece and Rome. A Sourcebook in Translation (3rd ed. Baltimore 2005).

Susan E. Wood, Imperial Women. A Study in Public Images 40B.C.-A.D.68 (Leiden at al. 1999).

More related papers Related Essay Examples
Cite This paper
You're welcome to use this sample in your assignment. Be sure to cite it correctly

Reference

IvyPanda. (2021, October 31). Mythological Figure of Polyxena. https://ivypanda.com/essays/mythological-figure-of-polyxena/

Work Cited

"Mythological Figure of Polyxena." IvyPanda, 31 Oct. 2021, ivypanda.com/essays/mythological-figure-of-polyxena/.

References

IvyPanda. (2021) 'Mythological Figure of Polyxena'. 31 October.

References

IvyPanda. 2021. "Mythological Figure of Polyxena." October 31, 2021. https://ivypanda.com/essays/mythological-figure-of-polyxena/.

1. IvyPanda. "Mythological Figure of Polyxena." October 31, 2021. https://ivypanda.com/essays/mythological-figure-of-polyxena/.


Bibliography


IvyPanda. "Mythological Figure of Polyxena." October 31, 2021. https://ivypanda.com/essays/mythological-figure-of-polyxena/.

If, for any reason, you believe that this content should not be published on our website, please request its removal.
Updated:
This academic paper example has been carefully picked, checked and refined by our editorial team.
No AI was involved: only quilified experts contributed.
You are free to use it for the following purposes:
  • To find inspiration for your paper and overcome writer’s block
  • As a source of information (ensure proper referencing)
  • As a template for you assignment
1 / 1