Adam, R. and Adam, J. 2006. The Works in Architecture of Robert and James (Dover Books on Architecture). Dover Publications.
The book is considered to be the principal source of the research paper, as it reflects style, design peculiarities, and principle works of architecture created by Robert Adam. The work covers decades of architect’s work characterizing the individual manner of the presentation of his project. The essay, which is predominantly based on the Georgian architecture of Robert Adams, reflects the most prominent renovations of various pre-existing buildings described in the book. It is necessary to underline the idea that Georgian design was demonstrated through the examples of townhouses architected by Robert Adam. The paper discloses the most important characteristics of such works of architecture performed in London at the end of the 18th century.
The book describes not only the houses and other buildings of Georgian style but characterizes people whose status allowed being the owner of such designed models. It should be noted that Robert Adam is described as a great contributor to the sphere of architecture and design projecting several significant buildings of his epoch.
Curl, J. S. 2002. Georgian Architecture. David and Charles.
The book is concentrated on the analysis of the most remarkable stylistic diversity of the 18th century through Robert Adam’s exemplification. The work is considered to be a very important source for the research paper, as it is an illustrated guide to reigns architecture.
Curl managed to highlight Robert Adam’s contribution to English architecture in the period 1728-1792, describing him as the outstanding decorator and designer whose works dominated at the end of the 18th century. He stressed the feature of Georgian architecture sponged by Robert Adam in his buildings and internal design. It is interesting to note that the book provides data helpful for illustration the basic intentions of the architect’s works and the message he strived to reflect through his creative practice. It should be stressed that the author identifies the outstanding buildings by Robert Adam, such as, for example, Register House, Edinburgh University, and distinguished mausoleum Templetown. The theme of Georgian architecture can be brightly reflected through Curl’s vision of architecture history and development at the epoch of Adam Robert.
It is interesting to note that the book demonstrates the peculiarities of the so-called ‘Adam style’, which can be helpful for the formation of logical and emotional research grounds for the designer’s contribution to Georgian architecture.
Rattenbury, K. 2002. This is not architecture: media constructions. Routledge.
The book touches cooperative work of two brothers, Robert and James Adam, and the peculiarities of their book ‘Work in Architecture’, which appeared to be the reflection of the historians’ careers crisis. Rattenbury managed to stress the reaction of community on the works Adam and his brother did; their impressive collection of antiquities left a print on historical architectural development in Great Britain of the 18th century. Besides, the author managed to describe the process of book writing and illustrate the brothers’ attempts to transfer their ideas to society.
Robert Adam was described as the leading designer in his family team whose ideological vision of the world allowed reflecting ideas on the objects of architecture and internal design. It is necessary to underline the fact that the author helped to understand the influence on Adam’s creation process and the sources of his inspiration.
Parissien, S. 1992. Adam Style. Preservation Press, pp. 240.
The book reflects the peculiarities of Adam’s style as one of the central features of English classical architecture of the 18th century. This secondary source is considered to be important for the illustration of the outstanding designer through his classical buildings and internal decorations. The book demonstrated the idea, that Adam’s style was characterized by the following features reflected in Georgian architecture: flat grotesque panels, complex color schemes, pilasters, and painted ornaments. The author strived to underline the uniqueness of Robert Adam’s architecture through such decorative motifs as sphinxes, framed medallions, tripods, griffins, and arabesque vine scrolls.
The author managed to underline the peculiarities of Adam’s style development and its influence n the architecture of his period. Besides, it is interesting to stress that Robert Adam’s style provided an impact on the vision formation of many prominent designers from Russia, England, and Scotland of the 18th century. The analysis of Adam’s style allowed finding similarities between its features and neoclassical architecture, which proves Robert Adam’s intention to illustrate the element of the 17th century in his works. His manner of decoration and design combined the features of classical and neo-Gothic architecture directions; Robert Adam can be considered as the representative of Classical epic architecture who strived to save the elements of ancient motifs through decoration and internal design.