Romantic music is a style of Western Classical music linked with the time of the nineteenth century known as the Romantic era. Individualistic, passionate, dramatic, and frequently purposeful music was sought by Romantic composers, who reflected wider themes in Romantic literature, philosophy, and artwork. Considering opera genres, German music is different from others since it describes the need to understand the deep meaning of the idea.
To my mind, the interpretation of harassment in The Elfking is not accurate since there is no valuable evidence or obvious hint. Based on the plot, it can be concluded that the boy felt threatened, but his father tried to convince him that these were his fantasies and imaginations. The assumption of harassment and deprivation of innocence can be structurally correlated with the course of actions in the poem. However, this version cannot be confirmed for certain since other assumptions can be made, for example, that the father was irresponsible and did not follow the child.
Considering Carmen, in my opinion, the composition depicts a self-confident woman who does not depend on anything and who herself decides whom to love and with whom to be together. What concerns La Traviata by Verdi, the work depicts a dramatic scenario of finding love and the subsequent loss of the dearest person, symbolizing a tragedy of an individual. I suppose that in Tristan and Isolde by Wagner, the composer glorified the theme of love as a ubiquitous and omnipresent phenomenon that can completely absorb a person in a positive and a negative sense.
Considering my perception, I can state that my favorite style of opera is German. In this genre, storylines are complex, profound, and philosophical and focus on German legends rather than serious and dramatic plots derived from regular life. German opera was not so well-known in popular culture since it was incomprehensible to the majority. I prefer to reflect and get to the bottom of the main meanings and motives; therefore, this style is to my liking, allowing me to think over various versions.
To summarize, the interpretation of molestation in The Elfking is not accurate. All three compositions, which symbolize the genres of opera in France, Italy, and Germany, reveal the theme of love both in a tragic and positive sense. According to my preferences, the German opera style is the most significant since it provides the audience with the need to understand the essence of the idea.