The “The Godfather” movie is a showcase of film excellence. The research focuses on the mise-en-scéne (movie overview) of how a real life mafia family forces its illegal powers on the community. The research centers of the movie show the family as the driving force of many groups, especially the Corleone mafia family.
The “The Godfather” movie excellently complies with all award-winning influential characteristics of film production. Christian Messenger (2002) emphasizes the movie to be a mafia film genre. The film is based on a true story of a mafia family. The movie setting is within the United States.
Most of the actors are gangsters members eager to implement their evil deeds on society during the 1940s. The lighting is perfect; the scenes are excellently lighted to ensure all important details are seen by the movie viewers. The decors easily catapult the Godfather Movie goers back into the Early American period.
The movie props and scenes bring the reality of the 1940s New York era where internets and computers have not been invented yet (Phillips 2002). The costumes of the actors vividly show how people, specifically the 1940s mafia families of New York society lived. The movie scenes directly show the forceful power of the mafia families.
The Corleone mafia family focused on corrupting government officials, politicians and judges. The corruption was done to prevent the local government’s harassment of the mafia family’s illegal casino and bar businesses. The props and scenes also show the reality of the rivalry among the different mafia families fighting for or against the new drug trade.
The film focuses on Vito Corleone (played by Marlon Brando) as the Godfather. The Godfather’s son, Michael Corleone, is played by Al Pacino. Further, Mark Winegardner (2005) theorized the film’s editing was very appropriate. There is no scene that showed irregularities.
The story moved from one scene to another in exquisite fashion. There were no jumps or obvious mistakes as one scene moved on to the next scene. The movie viewers can easily get the flow of the story from the beginning to the end. There are no confusion mistakes precipitating into the film.
As proof, Marlon Brando won the best actor award for his efficient and effective role as the movie’s Godfather. In terms of editing, the movie editors effectively and efficiently corrected any editing errors caused by the lighting and other factors in the film production.
In the same manner, the movie editors effectively and efficiently refined the film quality output by choosing the appropriate props for each film scene. The editor was very proficient in ensuring that the costumes of the movie actors were very realistic when they avoided creating scenes that depicted the unprofessional imitations of the 1940s New York mafia crime era.
Furthermore, Mark Winegardner (2005) reiterated the sound used was very effective and efficient. The movie audiences can easily distinguish the words uttered by the actors. In fact, the movie audiences can effortlessly hear the word whispered by the different actors.
The movie goers will definitely admire the voice of Marlon Brando as he utters each word with sincerity, authority and professionalism. The Godfather’s voice is wonderfully characterized as distinctively authoritative. Initially, Michael Corleone speaks in a voice that shuns the evil deeds of his own family.
However, the murderous attacks by the rival mafia families on Michael’s father and the successful murder of his brother, Sonny (played by James Caan), promp Michael Corleone to seek revenge. Michael changes his manifesting voice from being a law –abiding citizen to sound and act as a person doing his share to kill the killers and other threats to the Coreleone family.
Furthermore, Vincent LoBrutto (2002) proposed the score elicited seriousness in the captivating Godfather movie’s audiences. The music played during the wedding of the Godfather’s daughter incorporates happiness to a murder- genre film. The Corleone family and their invited guests are seen dancing and drinking wine as the wedding unravels.
The music gets horrifyingly serious as the mafia murders are taking place. The music props the movie scenes to a higher level of professionalism. In terms of score, story, costumes, props, and other aspects of entertaining as well as informing the movie audiences on the realities of the Corleone mafia family’s criminal acts in New York during the 1940s.
The score catapults the film scenes to bring reality to the Godfather movie audiences. In the end, the movie audiences feel they received more than their movie ticket payments because of the excellently done score, story, costumes, props, and other aspects of entertaining as well as informing the Godfather movie.
Likewise, Vincent LoBrutto (2002) stated the film’s cinematography should receive a perfect scorecard rating. The movie cameras perfectly focused on the important parts of the Godfather movie. The movie cameras created film scenes that are very realistic.
The Godfather movie audiences will not feel they are watching the movie; the movie audiences are persuasively personally captivated by each cinematographically perfect movie scene. The lighting simulates a real life scenario. The movie film is not rushed or carelessly shot. The lenses of the film cameras were perfectly engineered to bring out a more realistic movie scene.
As proof, the Godfather movie won both the best picture award and the best actor movie award. The success of the movie triggered a popular demand for a sequel. In response, the Godfather II sequel and the Godfather III sequel were filmed to satisfy the movie goers’ popular demand. Also, Christian Messenger (2002) mentioned the film “The Godfather” was placed in context. The film focuses on the New York crime life.
The film depicted life during the 1940s. The film shows the human aspirations, hopes, and dreams of the 1940s era. The film focuses on the importance of each family member contributing one’s own share to ensure the family’s survival. The presenter of this essay has personal influences or biases that affected the presenter’s opinion.
The presenter abhors seeing and encouraging illegal acts. The father will do whatever it takes to protect one’s family. Similarly, the children will do their share to protect one’s family. Evidently, the film is poignantly enjoyable. The long wedding scene brings happiness, bright future, and hope to the mafia movie genre.
The revenge of Michael Corleone on the person who ordered the killing of his father, Marlon Brando, brings justice to the story. Michael avenged his father by killing the corrupt police officer and the enemy who ordered the killing of his father. In addition, the class lessons have changed my opinion on the film. The lessons show the painstakingly importance of perfection in the production of the movie.
The lessons placed importance on the synchronization among the actors to bring out the essence of the mafia genre story. The lessons place equal importance on all the work done behind the camera. It is highly recommended that the Godfather movie receive a perfect score of four for the movie.
The movie’s generating the best actor award shows how well the movie was made. The movie’s capacity to captivate the best picture award indicates the movie deserves the perfect rating. In addition, the film’s excellent depiction of a real 1940s mafia family in New York is one of the reasons precipitated to the movie’s success.
Based on the above discussion, the “The Godfather” movie is a symbol of film excellence. The movie overview vividly shows how a mafia family forces its illegal powers on the community. The movie characterizes the family as the driving force of the Corleone mafia syndicate. Indeed, the “The Godfather” movie excellently complies with all the award-winning influential facets of film production.
References
LoBrutto, V. (2002). The Filmaker’s Guide to Production Design. London: Skyhorse Press.
Messenger, C. (2002). The Godfather and American Culture. London: Suny Press.
Phillips, W. (2009). Film: An introduction (4th ed.). New York, NY: Bedford St. Martin’s.
Winegardner, M. (2005). The Godfather Returns. London: Random House Press.