Introduction
Caribbean Music genres are multiple, and each of these music genres combines indigenous, African, European, Indian, and African influences. These influences are mainly made by African descendants, together with the presence of other communities. The leading Caribbean music is Reggae, while on the other hand, there is also Mexican music. Mexican music is diverse in genres and styles of performance. The culture of native Mexican people has impacted the music of Mexico. Various genres of Mexico music include; Conjunto, Tejano, Banda, and Norteno. This essay will focus on the differences between Caribbean styles instead of Norteno, Conjunto, Tejano, or Banda.
Main body
The difference between Caribbean/Latino styles and these Mexican genres is in their music bands. Norteno is the most famous music in both rural and urban areas of Northern Mexico. These bands mostly play in ranchers and corridos, and they use persistent beats. Mexican-Americans and Mexicans consider Conjunto as a piece of traditional music. Unlike Norteno, Conjunto has slower moments, and songs are often about heartbreak and love. Tejano music is Texas- Mexican and is a replica of rock and jazz from other countries. Both Norteno and Tejano are melodeon-based bands. In Banda, the bands are large, consisting of ten to twelve members focusing on beats. Banda influences a large number of Mexican genres like corridos, bolero, and cumbia. Lastly, Caribbean music is sung in French and Caribbean English, while Latino music is sung in Portuguese or Spanish.
Conclusion
In conclusion, music is essential in Mexican culture, and irrespective of whether it is small or big, it is a celebration. Mexican music sings of passion, love, country, and history, among others. Music plays a significant role in individual expression. Thus, the rise in Latin music in the US has given pride in their identity and heritage. Most Mexican music, like Banda, has also led to the appreciation of culture and traditions. Also, the use of the electronic recording in Banda music promotes the use of modern technology.
References
Iten, M. (2021). The roots of digital Cumbia in sound system culture: Sonideros, Villeros, and the transformation of Colombian Cumbia.Journal of World Popular Music, 8(1), 77-101. Web.
Orosz, J. (2018). The twelve-tone music of Roque Cordero.Latin American Music Review, 39(2), 137-159. Web.
Réveillac, J. 2019. Electronic music machines: The new musical instruments. 1st ed. ISTE Ltd and John Wiley& Sons. Inc.