Depending on which story or novel the reader is reading, their opinions on the narrator in Gabriel Garcia Marquez’s writings can change. Sometimes, the reader will identify strongly with the narrator and be able to identify with their experiences and viewpoints. In other instances, the reader could perceive the narrator as unstable or untrustworthy and struggle to empathize with them. In the end, the reader’s opinions of the narrator will be influenced by their own experiences and viewpoints, the author’s storytelling ability, and the topics and motifs of the story.
Whether the reader trusts the narrator and finds them reliable in Gabriel Garcia Marquez’s works can vary depending on the story or novel being read. In some cases, the narrator may be a highly reliable and trustworthy source of information, and the reader may have no reason to doubt their account of events. In other cases, the narrator may be less reliable, and their understanding of events may be called into question, making it difficult for the reader to trust them. In Marquez’s works, the narrator can be reliable and unreliable, depending on the story.
In Gabriel Garcia Marquez’s writings, the narrator is the author; the author made the narrator a fake persona to convey the tale. A first-person character who is deeply immersed in the tale’s events may serve as the narrator, or the story may be told from the perspective of an objective third party who offers a more dispassionate and impersonal view. If the narrator is ubiquitous, they may have access to relevant information that the story’s participants do not. The narrator’s voice is fundamentally the author’s speech, independent of the narrator’s style or amount of involvement in the story, as the writer is the one who developed and sculpted both the narrative and the narrator’s voice.
In order to depict the imaginary world in a distinctive and inventive way, Gabriel Garcia Marquez frequently uses magical realism, a literary genre in which mystical elements are incorporated into an otherwise realistic environment. This technique gives the reader a sense of surprise and enchantment, which draws attention to the story’s themes and motifs (Saleh, 2019). The fictitious world can also be depicted by the narrator using different techniques. The narrator might, for instance, employ descriptive language to conjure up evocative images and draw the reader into the story’s setting.
Reference
Saleh, E. S. T. S. (2019). Magical realism: A Step further towards Eco-feminism with special reference to Marquez’s innocent erendira. CDELT Occasional Papers in the Development of English Education, 66(1), 75-91. Web.