Harmonies Across Centuries: A Tale of Five Musical Titans Coursework

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Franz Peter Schubert

Franz Peter Schubert was born in 1797 in Himmelpfortgrund, near Vienna. He is regarded as the final classical composer and one of the first romantic composers. His abilities as a kid included the ability to play the piano. The musician is noteworthy in the book because of his music’s melody and harmony. The music in question is Elf-King, a song set made in 1815. Erlkönig is a lied ballad for piano and voice based on Goethe’s work Die Erlkönig. The song’s importance stems from its exquisite melodies and piano accompaniment. The piece is comparable to Elijah’s excerpt in that they both have a thorough composition.

Fryderyk Chopin

Fryderyk Chopin was born on 1st March 1810, in Warsaw, Poland. He was inventive in keyboard style and harmony to meet the needs of each composing setting. Chopin is most recognized for character pieces like piano sonatas, symphonic poems, and preludes. Fryderyk is important in the book since he is one of the finest tone poets due to his meticulous artistry. Mazurka in F minor, Op. 7, No. 1 in 1832, is the music in question. It was played on a piano with the shape of aaba’ba’ca’ca and was a piece of character piano music. As it typifies strained drones and augmented sounds, the composition is remarkable. The piece is similar to Chiarina” from Carnaval in that; its written designs have the same genre as a piano character piece.

Franz Liszt

Franz Lisztwas born in 1811 in Hungary’s Doborján. He wrote the first 12 symphonic poems and piano concertos. Franz Liszt, a Romantic composer, was highly prolific, creating almost 700 compositions. He is crucial in the book because he highlights the inadequacies of nationalist appropriations and prejudices. Hungarian Rhapsody No. 2, built in 1847, is the composition that is in focus. It is a collection of 19 piano works inspired by traditional Hungarian motifs. The piece is significant as it allows the pianist to display outstanding virtuosity. The composition is comparable to Symphonie Fantastique, Op. 14; they both use romantic symphony orchestras.

Maurice Ravel

Maurice Ravel was born in Saint-Jean-de-Luz, , france in 1875.He was a French composer and pianist associated with Impressionism. His most well-known pieces are the Bolero and Daphnes ET Chloe. The musician is notable in the book since he added several masterworks to the piano literature. The composition in question is Daphnes ET Chloei, created in 1913. It belongs to the Orchestral Suite genre and is based on the love story between the titular characters, Daphnis and Chloe. The composition stands out since it uses melody and texture. Furthermore, the song uses storytelling in its design, a technique similar to Survivor from Warsaw.

Arnold Schoenberg

Arnold Schoenberg, born in Austria in 1874, began composing at nine. He studied composition with Alexander Zemlinsky of Austria when he was still in his teens. Famous pieces of the artist include Verklärte Nacht and Hollywood. His relevance in the book is that he developed the 12-tone row and serialism. A Survivor from Warsaw, made in 1947, is a composition in focus. Its storyline is based on a 12-tone piece for a small orchestra and a narrator performing forces. It is notable because it exploits serialism, giving value to musical information. The composition is similar to Wozzeck’s in that both involve orchestral playing forces.

Igor Stravinsky

Igor Stravinsky was born in 1882 in the resort town of Oranienbaum, Russia. His works influenced numerous composers, such as Nadia Boulanger. He composed the original and unusual music for a ballet that Sergei Diaghilev choreographed. His contribution to the book is that he produced art in every genre. Rite of Spring, a composition on attention, was created in 1913. Specific sections follow shifts in choreography form, ballet music type, and entire orchestra performance forces. The song is notable because it uses primitive-sounding rhythms to represent many pagan ceremonial settings. However, it is comparable to Concerto for Orchestra in that it does not use aspects of neo-classicism.

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