The poems of Blake emphasize the rebellious mood with a combination of religious and mystic frames. Social conflicts which have arisen in the era of industrial revolution in England confused the perception of Blake. Through the years the author got the new vision of his poems what was expressed by the difference between the imagery of Introductions and the Songâs of Nurse in the Songs of Innocence and Songs of Experience. The author expresses his own perception of the world. The use of imagery helps Blake to represent the image of Nature as the main character of the Songs.
Imagery as a set of mental pictures or images is the main characteristic of poetry. Analyzing works of William Blake, we can find such characteristics as visual imagery, kinetic imagery, personification and metaphor.
Visual imagery is the most important characteristic of both works. Analyzing the Introductions we can notice that the Introduction of Experience contains more visual imagery than the Introduction of Innocence. In the Introduction of Innocence we find such examples as âPiping down the valleys wild, piping songs of pleasant glee, on a cloud I saw a childâ (Blake, p. 81). Visual imagery of the Introduction of Experience: the Bard, that walked among the ancient trees; âfallen, fallen light renewâ (Blake, p. 87). The last quatrain presents a consistent visual imagery:
Turn away no more;
Why wilt thou turn away?
The starry floor,
The watery shore,
Is given thee till the break of day. (Blake, p. 88)
In the Nurseâs Song of the Innocence we can find more visual imagery than in the Nurseâs Song of the Experience: âin the sky the little birds flyâ; âthe hills are all coverd with sheepâ (Blake, p. 87). An example of visual imagery of the Nurseâs Song in the Experience: âmy face turns green and paleâ (Blake, p. 90). We can make the conclusions that Blake pays more attention to the visual characteristics in the Song of Experience. I think that the use of visual imagery emphasizes the infinity of Blakeâs imagination.
Word choice is very important to the author. He treats them as live beings which can coexist only in cooperation with other live creatures (Farrell, p. 77). âThe Holy Wordâ of the Introduction of the Song of Experience is an example of the kinetic imagery. However, Blake doesnât use this imagery often. He prefers to use personification to show the vitality of the lifeless things. In the poems we can find the following examples: âthe days riseâ, âthe morning appearsâ, âsun is goneâ, âEarth returns and arisesâ, âthe morn risesâ, âlight fades awayâ (Blake, pp. 81-91). The use of personification helps to create the whole picture and to add the action.
All poems are full of metaphors: âthe Holy Word walked among the trees, calling the lapsed soul and weeping in the evening dewâ; âthe Holy Word might control the starry poleâ (Blake, p. 87). âThe morning appears in the skiesâ (Blake, p. 86). The main metaphor of the Nurse’s Song is the image of Nurse as the metaphor of Nature which cares about her children â people. Metaphor is one of the most important elements of poetry which shows us the form and expression of Blakeâs poems.
The origin of the Songs of Innocence is a pastoral which portrays the rural existence in a very simple way. That is why a satire inevitably comes to mind while reading the Songs and especially the Nurse’s Song (Bowra, p. 211). The origin of the Songs explains the use of imagery by the author. The Songs of Innocence and Songs of Experience are the ode of Nature that cares about people and tries to show the way of morality. The use of imagery helps Blake to expose the theme of the Songs and to make poems rich and original. The fundamental importance of the imagery consists in the reflection of the specific Blakeâs attitude to the theme of his Songs.
Works Cited
- Blake, William. The Norton Anthology of English Literature, Vol. 2. Ed. Abrams M. H. 6th ed. New York: W. W. Norton, 1993. Print.
- Bowra, C. M. The Romantic Imagination. Cambridge, Mass.: Harvard UP, 1947. Print.
- Farrell, Deborah, and Carole Presser. The Herder Dictionary of Symbols. Wilmette, IL: Chiron Publications, 1978. Print.