Musicians invest much in their work; they enlist services of famous producers to access the market. Listeners rank music based on its quality, instruments used in play, message, and the entertainment they receive. Musicians know their fans’ preferences and growing competition present as new talents and technologies keep emerging. Rachel Ament once stated, “To truly take in lyrics, listen for what’s beneath them. Don’t get too caught up in the logic” (1). The quote is significant in that it informs the reader about the nature and aspect of songs and why people should embrace them. The quote claims that songs are written creatively to fit certain patterns. Listeners should discern incorporated words that ensure lines rhyme to fit poetic form. The pattern of words is deliberate and does not alter the original idea in the song. It is critical to listen to the written songs and understand what the singer means. The highlighted quote is significant because it encourages song writers to balance between format and clarity. Lyrics convey the message carried in the song and require audience interaction. I utterly connect with the quote since, as for me, lyrics generate interest and differentiate music from other forms of art. In addition, excellent music requires matching of quality lyrics with accompanied instruments.
Generally, to understand the words in the song, one should focus on the deeper message it carries rather than think too much on direct meaning. Thus, the content projected in the lyrics should be clear enough to generate a message. Based on intellect, there is enhanced judgment, depth and thought to music. The effectiveness and appeal on the listener depend on how well it can be comprehended. Lyrics motivate listeners to interact with the composer while understanding the context. The creativity enhances style of the musician and gains attention of the consumer. Listeners should strike a balance in all aspects contributing to quality of music. They should check on rhythm and pattern of words, combination of voices and beats of the selected instruments.
Reference
Rachel, Ament. “How to really listen to music.” The Paris Review. 2019. Web.