The paper explores four music reviews. It explains the contribution of various artists performing Jazz, opera, classical and live musical performance as well as the significance of the music to the audience.
Jazz
Jazz is a kind of musical folklore and style discovered at the end of the 19th century by individuals of Black American descent. The key architects of Jazz that occupied the larger southern region of the United States combined the African music style with the European composition traditions to come up with Jazz music.
The West African history, touted as the foundation of Jazz music is clear in its incorporation of blue notes, creativity, polyrhythms, and syncopation as well as the rock note. The expression “Jazz” was, at first, known as “Jass.” Meanwhile, the Jazz genre started as a West Coast vernacular term and was used for the first time to connote songs in Chicago nearly 95 years ago (Sartin 106).
From its invention in twentieth century, Jazz has developed into several subgenres, such as the New Orleans Dixieland, the big band-style swing, and bebop. A wide range of Latin jazz fusion music such as free jazz, and Afro-Cuban of the mid 20th century, acid jazz, which incorporated hip-hop and funk styles, and nu jazz invented toward the end of the 20th century have been touted by listeners to be the best. One example of a leading Jazz music is done by Will Smith. It calms and appeals to listeners who prefer the combination of piano and saxophone tunes. The song that goes for 34 seconds.
Classical music
Classical music is a largely liturgical and worldly. It was derived from the Western civilization, and incorporates traditions acquired or modified in the past ten centuries. The primary features of this genre of music became official between the 16th century and the beginning of the 20th century. This era is popularly referred to as the period of common practice. Music of the Western civilization is largely different from several of the other non-Western and popular musical genres. Its organization of staff notation, which has been in use since the sixteenth century is matchless (Sartin 107-108).
The Western staff notation is significant; hence, it has been used by classical song writers to lay down the singer tone, tempo, meter, individual beats and the exact implementation of an ideal classical music. This limits the chances of improvisation practices that are common in non-European art music, such as Indian and Japanese classical music as well as popular music. Beethoven’s Symphony is an example of classical music written by Ludwig van Beethoven between 1804 and 1808 which encompasses four movements: beginning with sonata, andante, and a quick scherzo which opens attacca to the end.
Opera music
According to Sartin (106-113), Opera is exclusively a musical drama that is comprised of choral pieces, and accompanied with instrumentals. The genre essentially carries some element of interludes and orchestral qualities. Opera was composed for the first time in early years of the 17th century, and was triggered by the fusion of several literary currents.
For example, the establishment of musical theatre culture, an aspiration to try out music conventionally, and the customary attribution of thrilling power of music that swept the larger cosmic order. Moreover, intermedi performances in concerts are the basis for opera through the incorporation of costumes, backdrop, music, and body movements. Opera music usually accompanies love movies or soap operas.
Musical performance
Sartin (106-113), indicates that most musical performances are presented live before listeners and viewers. The concerts may be presented by one musician, sometimes referred to as a recitation, or by a group of musicians. Groups of artists may be in the form of a musical band, an orchestral fsuch, or a choral group. Concerts are organized in many settings ranging from private residences, inns, performance halls, and entertainment spots as well as other places for public assembly. Indoor concerts carried out in the biggest venues are occasionally referred to as arena concerts.
In spite of the venue, artists normally do their songs on a platform. Before recorded music became common, music shows would avail the only chance one would usually hear music. An example of live music performance is Tom Jackson’s three minute.
Reference
Sartin, Jeffrey S. Contagious Rhythm: Infectious Diseases of 20th Century Musicians. Clinical Medicine & Research, 8.2 (2010): 106-113.