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The tale of Prometheus, the Titan who dared to challenge Zeus, is one of the best-known fables. Described colorfully in Aeschylus’ Prometheus Bound, the character represents a challenge that was bound to end in suffering, yet had to happen in order to alleviate the suffering of humankind.
Thesis statement- Arguable, specific
By introducing the complex relationships between Prometheus and Zeus, the Chorus emphasizes that the act of sacrifice made by Prometheus is one-of-a-kind, implying that his punishment and the resulting sacrifice elevates him to the status of a hero.
The tremendous change that Prometheus made in his attempt to introduce the humannkind to the fire both in its literal and metaphorical sense, therefore, igniting people’s willingness to learn and evolve, shapes the further direction of the poem. In this context, the portrayal of Zeus serves as the background on which the essence of the poem’s premise is built. In the beginning, Aeschylus defines Zeus as the “tyrant of the gods” (p. 40). By establishing the specified relationships, Aeschylus transfers the focus to the role that Prometheus’ sacrifice has produced, as well as his following transformation into a hero.
Although the stasimon in question appears to center the character of Zeus, especially at the beginning of the narration, the portrayal of the god adds not so much to the exploration of the theme of tyranny as to the concept of opposing it. Aeschylus describes Zeus in the following manner: “[…] but for the suffering race of the humankind/He cared nothing” (40). Although seemingly seeking to describe Zeus, the specified line implies a stark juxtaposition to the humane, kind, and compassionate character of Prometheus, who supposedly expressed much greater care the humankind and its concerns.
Thus, the complex relationships between Zeus and Prometheus are exposed as the latter rebels against the former. As the poem would develop the described theme ,later on, the chorus represents the punishment endured by Prometheus as a reasonable, albeit very cruel, retribution for his act of stealing fire ad bringing it to the human race. Namely, the Chorus states: “Don’t you see,/You went wrong!/But then, it gives me no pleasure to tell you/how you went wrong” (Aeschylus 42). However, Prometheus’ refusal to recognize his deed as wrongdoing and his acceptance of his fate allows for his transformation into a hero.
Arguably, the focus on the sacrifice and the unprecedented nature of Prometheus’ act of self-sacrifice shifts slightly in the described stasimon, possibly pointing at the emergence of another theme, namely, that one of tyranny. The dark and sinister nature of Zeus’ actions is delineated quite clearly in the following lines: “There he is., on his father’s throne./dealing out privileges to the different Gods” (Aeschylus 40). Therefore, the theme of Zeus’ entitlement and dictatorship may overshadow the concepts of sacrifice and selflessness that elevate Prometheus to the status of a hero in the poem.
However, even with the accents placed on the problems of tyranny and injustice displayed by Zeus, Aeschylus retains the focus on Prometheus and his selfless act of kindness, thus distilling the main theme of the narrative. The predominant nature of the concepts of selflessness and the willingness to help those in need manifests itself clearly as the consequences of Prometheus’ actions are foreshadowed. Specifically, the following lines support the importance of Prometheus’ transformation: “You’re brave, you won’t/ give in to pain, And yet, your speech is much too free” (Aeschylus 38). In the described context, the hint at Zeus’ wrath serves as the foil for Prometheus’ development as a character.
By focusing on the complexity of relationships between Prometheus and Zeus, Aeschylus manages to paint a detailed and nuanced portrait of the titular character in his poem. Thus, the nature of Prometheus’ sacrifice and the consequence of his suffering is explored in great detail. The poem represents a study of a unique character and his path to heroism, encapsulating the idea of a selfless act.
Aeschylus. Prometheus Bound (Greek Tragedy in New Translations). Translated by James Scully and C. John Herington, Oxford University Press, 1990.