Introduction
Love is a set of closeness, passion, and commitment emotions and behaviors. This includes caring, proximity, security, attraction, affection, and confidence. The intensity of love may fluctuate and alter with time. It has a spectrum of good feelings, including enjoyment, excitation, contentment with life, and pleasure, and bad feelings like jealousy and tension. According to Lopez-Cantero and Archer, “when one is falling out of love, one loses an important point of reference for self-understanding” (3). For centuries, poets have come up with ways to express all of its forms in films, literature, and beyond. Today we will look at two literary figures and compare their works with each other. The comparison will be between Robert Browning and Amanda Brown’s love mixtape. This work was written with the aim of studying two works and their characteristics.
Robert Browning
For his skill of dramatic monologs and emotional characterization, Robert Browning was a leading Victorian English poet. According to Pearson, “Browning’s conception of stage authorship is founded on a historically inscribed notion that poetry and theatre can sustain the same text” (57). Browning, the child of a banker at London’s Bank of England, got just a little formal education, but his dad taught him a primary education in Latin and Greek. After a half-session, he continued studying at the University of London.
Few poets have experienced more from a hostile misunderstanding or misguided appreciation than Browning, both of which often arise from a failure to understand the most dramatic essence of his writing. His great poetry revealed the dramatic monolog’s growing mastery. This comprises a single-character narrative and is complemented by his remarks on his story and the conditions he speaks. The reader will be able to judge the intellect and honesty of the narrator and the worth of his opinions from his knowledge of the historical or other facts or from the inference of the poetry itself.
This style of dramatic monolog is particularly suited to the ironist because it depends on the speaker’s unconscious giving of the evidence that the reader should be judging him. Browning’s affection for this style has still promoted the two most prevalent misunderstandings about the character of his poetry – that he is purposefully dark and that its fundamental “message” is an easy optimism. Both critiques are not groundless; they are both imperfect.
He has obtained evident congratulations in many works and concise lyrics. However, his surface difficulties are pretty obvious, preventing a simple comprehension of the meaning of a passage: his efforts to communicate the broken, uneven rhythm of his speech nearly make it hard to read the stanza fast. However, the interests of the poems are rarely exhausted, even when specific style and technical issues are overcome. Browning typically picks an unusual viewpoint, particularly in his monologues, pushing the reader to adopt an unknown viewpoint. Secondly, he can alter the focus of a poem.
Love and Other Catastrophes: A Mix Tape
Amanda Brown’s “Love and Other Catastrophes: A Mix Tape” is a collection of different love songs; it is remarkable how someone from a list of songs can construct an entire tale. The sort of mixtape tells a tale, and, at the start of it, the tunes are all about being alone and then about the beginning of the relationship. These tunes are about the start of a romance and the beauty and satisfaction of new love — a little bit of a rough, unpredictable relationship with a hint of infidelity in the middle. However, the songs become colder towards the end, and we see the romance over. Through this mixing tape, people see that they start alone and finish alone. The spectrum of the releases of most of these songs lasted over several years. This demonstrates that the majority of sentiments depicted in this list last quite some time in a relationship.
There are several critical components of a narrative that are essential to connecting the reader to the plot. The tale is all significant in terms of its plot, its character, and its location, but it is the topic that lends meaning and significance to the complete story. The author would not produce a powerful and relevant narrative without the usage of the theme. In Amanda Brown’s “Love and Other Catastrophes: A Mix Tape,” several themes are skillfully utilized for intricacy and reliability through the usage of songs, such as pleasure, treasure, and solitude.
It would be simple for a human being to think of this brief narrative as nothing more than a list of song titles. This individual could even assume that this short narrative is merely the product of an author who cannot generate an original concept and relies on words from fellow artists to convey their story. When people read this short tale, they do not simply reading the songs’ titles; they also reflect on the lyrics of a song, music rhythm, and the performer’s voice accidentally. Her approach of employing song names functions so effectively because she can exploit the feelings to which all readers may relate these songs.
The subject with which Brown starts and finishes his short narrative is solitude. It might be lonely if a person does not have someone else to share their life, care for themselves, confiding secrets, lean under challenging times, and experience unforgettable moments. The character feels the same elements of being alone as they thought at the novel’s beginning, but now the disappearance of their intended companion amplifies those sentiments.
Amanda Brown has effectively used song titles in her short tale in order to evoke themes of joy, betrayal, and loneliness. The narrative of Brown is not only sophisticated in employing these themes but can also be related to a broader audience. The reason why these topics are so narrative is that the story is emotionally connected to the reader. A relationship leaves the reader thinking about what song lyrics they would use to describe their life tale.
Meeting At Night
“Meeting at Night” is a poem by Robert Browning, a winning poet, who chronicles his speaker’s journey toward a meeting with a lover. During his courtship, Browning penned the poem by Elizabeth Barrett, his wife, a renowned poet. “Meeting at Night ” is designed to portray the vibrancy and thrill of passionate love, especially in the early phases of this relationship. The poem relates the narrative of a physical voyage across an unknown coastal environment, the speaker’s long and clandestine one. This deliberate quest concludes with a meeting with a lover by the speaker. Therefore, the poem suggests that love is valuable and worth working for in the face of tremendous challenges. The poetry makes it evident that love is essential and exciting. The poem manages to convey some of the thrills of love by hiding its exact meaning until the last words. The speaker takes a tricky trip to meet that beloved since it’s worth battling for love.
Comparison
Both works speak of love, but in different tones; Browning talks about the importance of love and passion when a person loves while Mixtape Brown talks about a love story from the very beginning of a relationship. “Meeting at night,”, especially in the early stages of this relationship, represents the vitality and pleasure of passionate love. The poem, therefore, indicates that love is precious and worth striving for in the face of enormous obstacles. Poetry shows that it’s essential and thrilling to love. With “Love and Other Catastrophes: A Mix Tape” by Amanda Brown, many topics, such as enjoyment, treasure, and loneliness, are skilfully used for the complexity and reliance of songs. These stories are about the beginning of love and the beauty and joy of new love — a little of an unexpected, harsh relation to a touch of unfaithfulness in the midst. Also, remember that Browning’s work is a poem, and Amanda Brown’s mixtape is the song chosen to create love stories.
Conclusion
For ages, in films, literature, and beyond, poets have invented expressing all their forms. Robert Browning was a famous victorian English poet because of his expertise in dramatic monologs and emotional characterization. “Love and Other Catastrophes: A Mix Tape” is a compilation of love songs by Amanda Brown. It is striking how someone can create the whole story from a list of tracks; the mixtape conveys it. Both compositions speak about love, but in opposite ways; Browning tells the value of love and this passion when Presley sings of pain and suicidal intents because of love. Also, remember that Browning’s work is a poem, while Amanda Brown’s mixtape is the song that already distinguishes their perspective.
Works Cited
Lopez-Cantero, Pilar, and Alfred Archer. “Lost without you: the Value of Falling out of Love.” Ethical Theory and Moral Practice 23.3-4, 2020.
Pearson, Richard. “Text and Performance: Robert Browning and the Struggle of the Dramatic.” SpringerLink, 2016.