The artwork known as the Great Pyramids of Giza is one of the most prominent examples of global historical heritage. Ancient Egyptians constructed the monuments under the command of their rulers Khufu, Khafre, and Menkaure. Although the exact year of the Pyramids’ creation is unclear, they were built thousands of years ago over the span of three generations. The artwork was assembled on the Giza plateau in Egypt and is now located near the metropolitan area of Cairo. The Pyramids’ structure is in a moderately good condition, but their surroundings present sufficient dangers. In particular, the memorials’ closeness to urban Cairo is associated with such problems as auto traffic, waste, and air pollution. Although the monuments have existed for a long period, their presence is threatened by civilization’s development.
The Great Pyramids of Giza are several constructions with distinct dimensions. The artwork’s form is architecture, and the medium primarily includes stones. The technique used to build the memorials is probably sculpting due to their form, and the tools are likely to be chisels and hammers. The structures differ in size but can be described as monumental and colossal. The artwork is represented by buildings in the form of pyramids, and the constructions’ relationship in proportion to each other varies, as some are bigger than others. The memorials are in a brownish-yellow color, and the texture of the surface appears to be quite rough. Overall, the artwork is impressive, and it seems that its creation was complicated.
The Pyramids had a special meaning to the people who had built them. The subject matter of the monuments had religious symbolism as the memorials were designed for deceased rulers to be regenerated. The most distinctive characteristic of the constructions is their shape, which has a solar reference. The principles of composition are varied and emphasize three main buildings with smaller pyramids placed as satellites and tombs organized in a grid-like pattern. Since the artwork is in an open space, the use of light is natural, and the primary color is relatively warm. Treatment of real and illusionary space and the landscape seems compact concerning the three pyramids but moderately random when comparing each construction’s smaller objects. In my perception, the religious subject matter may not be clear to a novice observer from another culture. Nonetheless, the artwork’s creators have done a splendid job, especially due to the impression given by stone as a medium, which suggests stability.