Introduction
Hipsters are another subculture in our complex and dynamic culture. Beginning in the 1940s, this subculture has contributed to our culture and shaped its attitudes and rules. There are many discussions on this topic, but I will discuss the beginnings of hipsters, principles, beliefs, and expressions of self in this essay.
The History of the Emergence of Hipsters
Hipsters emerged in the 1940s in the United States as an unofficial subculture from various groups, particularly from the African American and Mexican communities. They opposed the traditional behavior and way of life in American society. For the most part, hipsters were teenagers who opposed social and political injustices (le Grand). Many early “hipsters,” plus musicians, creative individuals from all fields of art, writers, and politicians, were responsible for maintaining and developing the hipster subculture.
Essential Beliefs of the Subculture
Hipsters are a community of people who have particular views and beliefs. They believe in freedom of expression, the importance of personality, creativity, and more. They believe there is no right or wrong way to live; it depends on individual preferences (Golman et al.). They also emphasize the importance of love and respect for self and others. The mentioned subculture has its norms that emphasize their values and beliefs.
Their main rules include a warning about unacceptable behavior, an unbiased attitude toward others, and the understanding that everyone has no right or wrong way. Hipsters have several taboos that warn against unacceptable behavior or actions. For example, face control or intrusiveness, disrespecting people, violating safety rules, using violence or threats against others, and so on (Golman et al.). They also warn against the improper use of alcohol and drugs, illegal activities, and other unacceptable actions.
Members’ Self-expression
Hipsters are a separate culture with their characteristics. They always maintain their principles and find individual ways to express themselves. They have their own rules and are determined to find various ways to demonstrate their individuality (le Grand). They prefer to wear unique clothing equipped with prints, even for everyday wear. Their style may include tracksuits, odd colors, different textures, accessories, brands, etc. They like to attend different events and appreciate colorful decorations and art (Golman et al.).
They also like to get original tattoos and create different styles. Hipsters prefer to achieve their goals and value their freedom. They are development-minded and use creative approaches to solve problems. They stick to their beliefs and like doing things others may not understand. They like to be unique and build different relationships with people, constantly exploring and learning about the world. In general, hipsters do their best to express themselves and be themselves.
Members of the hipster subculture express themselves in a variety of ways. They wear unique clothing, listen to and create different genres of music, read and write literature, study and dance different dances, cook and eat particular foods, and create art. For example, hipster clothing may include jeans, sweatshirts, caps, cleats, diamonds, etc. Music can be rap, hip-hop, soul, jazz, etc. Literature can be poems, stories, reflections, messages, etc.
Conclusion
In conclusion, the hipster subculture is an essential contribution to our culture. Hipsters have brought their unique views and rules to our culture, which help them express their identity and freedom and unite people worldwide. Because of their multicultural orientation and principles, hipsters have left an indelible mark on history and culture.
Works Cited
Golman, Russell, et al. “Hipsters and the cool: A game theoretic analysis of identity expression, trends, and fads.” Psychological Review, vol. 129, no. 1. 2022, pp. 4–17. Web.
le Grand, Elias. “Representing the middle-class ‘hipster’: Emerging modes of distinction, generational oppositions and gentrification.” European Journal of Cultural Studies, vol. 23, no. 2. 2018, pp. 184–200. Web.