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There have been significant differences between the sculptures in Kuwait and those in Australia. The research will evaluate the weaknesses in Kuwait sculptures in terms of funds accessible, available galleries and the public awareness on this artistic works. In addition, the research will evaluate ways of strengthening the sculptures in Kuwait.
The difference between contemporary and traditional art can be demonstrated by analyzing the sculptures in Kuwait. This is because the available sculptures have been neglected and the artists remain unappreciated despite their amazing talent and dedication.
This paper will analyze the galleries in Kuwait, the art schools, funds allocated and the existing sculptures, and compare these factors with those in Australia. The differences to be realized after the analysis will be used to develop a strategy aimed at improving the sculptures and other artworks in Kuwait.
The sculptures available in Kuwait have been long forgotten, especially those in public places. The sculpture in Rumaithiya is one example of sculptures that have been neglected, as demonstrated by the rust and cracks in the sculpture (Modeen 2009).
For a very long time, many people have ignored artworks and sculptures across Kuwait. The government has also not been vibrant enough to promote sculpture making. This has made individuals to take to other jobs, hence reducing the number of artists willing to engage in sculpture making.
The artists who have concentrated in sculpture making have been reducing in numbers given that in this era developed computer software is being used to generate virtual designs. Graphic design and other computer-based applications have made it possible for individuals to create designs without having to create a physical structure.
This has reduced the number of sculptors in Kuwait and since there are fewer incentives to encourage new sculptors, sculpture making has been slowly fading away. In Australia however, the government has ensured that sculptors and artists are promoted by creating funds for galleries and other exhibitions, an initiative that has encouraged more artists to demonstrate their talent (Lumley 1990).
The establishment of art schools has helped in encouraging young and talented individuals to participate in sculpture making. Because of the government’s direct participation in promotion of art, there has been development of contemporary sculptures, with many being erected in public places across the country.
Artists are also trained in Australian art schools and other accredited art schools in the world. Self taught artists are given incentives in term of awards and exhibition opportunities in the Australian galleries and other exhibition areas. The difference between the Kuwait sculptures and those in Australia helps in the identification of ways that will assist in promotion of sculptures in Kuwait.
Most of the sculptures that are found in Kuwait and especially those erected in public places are old and worn out. This shows that there has been reduced concern in the government with respect to caring for artworks and this has reduced the morale of the artists. The sculptures also illustrate past events and there are few that demonstrate contemporary issues.
In Australia however, more sculptures and statues have been created with reference to contemporary issues. The sculptures in Australia have also been created using contemporary means, with some being designed and generated using automated means (Sturgeon 1991).
The focus and promotion of arts in Australia has encouraged many sculptors to try out new and amazing designs that are then displayed in strategic locations for locals and visitors to see (Sturgeon 1991). The funds, which are granted to the artists as incentives to help promote their talent, has assisted the individuals in realizing their dream careers, with most individuals taking sculpture making as a profession (Drury 1993).
However, the sculptors in Kuwait combine sculpture making with other jobs, making sculpture making a hobby or a part-time event. The creativity and designs between the sculptures in Kuwait and those in Australia are also different with those in Kuwait being more into religion and past events.
The sculptures in Australia are centered on contemporary issues, with modern designs being incorporated in most sculptures. The nature of the available sculptures in Kuwait illustrates that there is no notable involvement in sculpture making in this country.
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The unavailability of new sculptures shows that there is a reduction in the number of interested sculptors, with funds and incentives being the main inhibitions (Art Kuwait 2011). Galleries in Kuwait have in excess, paintings and other artworks, and very few sculptures are available.
Significance of the Study
The research is very important since it will help in the establishment of sculptor-centered approaches that will improve sculpture making and encourage development of contemporary sculptures.
In addition, the research will assist in creating an awareness campaign that will push the government to participate in the promotion of art, especially sculpture making. The study will also help the sculptors to be more involved in sculpture making and help in making it a fully-fledged profession.
To conduct the study, the research will analyze the available galleries for the qualifications of sculptures in an exhibition center. This will be done by use of questionnaires, with gallery workers being the main interviewees. They will be asked about the frequency of sculptures in the galleries as compared to paintings and other artworks.
In addition, government literature will be evaluated to determine whether the government has allocated any fund to promote art. Art schools in the country will also be visited to collect information about the available sculptors, evaluate the teaching contents and compare them to those in Australia.
Due to the time limit, physical study will not be conducted in Australia, but rather, literature review will be done. The review will help in realization of the differences between Kuwait sculptures and those in Australia.
The strategies used by Australia to promote sculpture making and other artworks will be analyzed and the same compared to those in Kuwait. Renowned sculptors will be contacted for interviews on why sculpture making is on the decline in Kuwait and the same done for those in Australia.
Social media and emails will be used to contact renowned artists in Australia, as physical contacts may not be possible. After conducting interviews and researches, the data will then be analyzed accordingly, with the main focus being to generate differences that would help in development of counter plan.
The research will commence in November this year with the galleries being the first target. Evaluation of galleries is expected to take seven days, after which literature review will commence.
This will take another seven days after which the renowned artists and sculptors will be contacted. Depending on their schedules, the study will give each individual an allowance of ten days, and since the artists will be three, one month will be used to conduct the interviews.
Art Kuwait 2011, Spatial sound sculpture – new generation of art. Web.
Drury, N 1993, New sculpture: Profiles in contemporary Australian sculpture, Craftsman House, Sydney.
Lumley, A 1990, Sydney’s sculpture, Longman Cheshire, Sydney.
Modeen, T 2009, Public sculpture in Kuwait – Rumaithiya. Web.
Sturgeon, G 1991, Contemporary Australian sculpture, Craftsman House, Sydney.