Introduction
Othello is a play written by Shakespeare, and its story concerns many subjects brought up by feminist theory. The narrative of this tragedy shines a light on the position of women in society. It depicts female characters in a state of submission and obedience and shows the disbalance in the distribution of power between men and women. Gender and patriarchy play a crucial role in this work.
Discussion
In this play, gender constantly influences the way women act. Desdemona, Othello’s wife, is obedient and careful with him throughout the play, despite the fact that his demeanor towards her changes drastically. She provides Otello with an alibi with the phrase “Commend me to my kind lord,” showing loyalty to her husband as he kills her. The play has significant symbolic language when it comes to describing gender roles.
For example, the act of marriage is referred to as a purchase (“The purchase made, the fruits are to ensue”), with women being the commodity (II.3.8–9). The stereotype that women are weaker or much different from men is contested by one of the characters, Emilia. She claims that men and women share the same physicality as well as mental faculties and needs: “Their wives have sense like them; they see and smell” (IV.3.92–5). Overall, these and various other examples paint a picture of women being commodified and bracketed into a submissive and passive role.
Conclusion
One of the pillars of feminist theory is that despite facing oppression, women can exercise power and dominance. This idea connects with the plot of Othello, as it shows how women struggle to both breakout and remain within their gender roles. The set of expectations for women is established clearly; however, the female characters are able to defy them, despite the threat of detrimental outcomes.
Work Cited
Shakespeare, William. Othello, the Moor of Venice. Web.