The Russian avant-garde is a massive wave of non-traditional, experimental, and innovative art that covers the period from the end of the 19th century to the middle of the 20th century in Russia. Inspired by French Symbolism and Post-Impressionism, it introduces new techniques and various art movements, such as Neo-Primitivism, Futurism, Cubo-Futurism, Constructivism, and Suprematism (Erjavec 3). The book chapter describes the history of the Russian avant-garde through the movements and exposes the most significant artists and their works.
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It is highly essential for readers to know avant-garde’s prehistory and the significant artists of every movement. They may discover the World of Art movement and the collections of Shchukin and Morozov that had projected a massive influence on the Russian avant-garde. They receive the essential information concerning unpopular Rayonism and its creator. This chapter gives a chance to get acquainted not only with modern but with ancient Russian forms of art, such as lubok prints and icon painting. Readers will get more information about Kazimir Malevich and Vasily Kandinsky, the most outstanding and well-known exponents of the Russian avant-garde (Arnason and Mansfield 202). The images attached to the article provide a clearer insight into the meaning of modern art.
The text about Russian avant-garde offers all necessary information for the individual examination of this period in art. This research helps to get acquainted not only with new avant-garde movements but with the elements of Russian culture as well. It helps to discover the new artists of the Russian avant-garde and motivates them to examine their works in the future.
Arnason, H.H., and Elizabeth C. Mansfield. History of Modern Art. Pearson, 2012.
Erjavec, Aleš., editor. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements. Duke University Press, 2015.