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Hip Hop Infiltrates Asian Music Industry Essay


Hip hop musical genre has penetrated numerous human cultures as music and way of life. The eastern part of the world, similar to other regions, benefited from rich varieties of indigenous music. Asian countries had pride in their music and lifestyles that were envied globally. Ancient oriental music was regarded as rich in meaning and knowledge.

However, in the modern eastern world, music varieties have been permeated by international melodies and tunes. Hip hop music genre, for instance, influenced modern Asian American’s music. An assorted melodious type of music was generated from the varied musical styles of hip hop and Asian melodies. Hip hop musical tunes originated from the American music industry.

Hip hop genesis in American population was a music genre and a lifestyle. American hip hop style of music stretched to international boarders rapidly. The music carried with it a way of life that transformed cultures in different continents.

Increased globalization transferred various cultures to foreign lands. Consequently, hip hop compositions and lifestyles gained access to the Asian continent. Therefore, if American hip hop music genre infiltrated Asian music industry and an Asian hip hop music variety was invented then hurdles in Asian hip hop can be conquered.

American hip hop had similar hurdles as the Asian hip hop music industry. Breaking the Asian hip hop music difficulties was demanding. Nonetheless, increased infiltration of Asian hip hop music had an influential effect on Asian societies. One major Asian city penetrated by Asian hip hop was Tokyo.

Tokyo had developed passion for hip hop tunes and styles closely linked to American inner-city neighborhoods. Passion for hip hop music compelled Asian towns to adapt an American hip hop lifestyle. Hip hop benefited from a subversive fame in discotheques and was linked to local singers (Takatsuki, 2003 p. 1). Enthusiastic traders and consumers of hip hop relics thronged sales stores for music and products. Evidence of a conquered Asian hip hop industry might be observed in the Asian citizen’s conducts.

Despite having advanced their rapping zeal, most Asian American hip hop artists faced numerous challenges. A major test was on music exposure. Majority of the Asian American hip hop enthusiasts had to begin their stardom quest as underground rappers. Production studios had abridged faith in the Asian hip hop industry. However, Asian American rappers persevered with originality and later discovered a market niche in the hip hop industry.

Hassling strategies similar to the American hip hop industry were applied in the growth of Asian hip hop music trade (Chiao, 2007 p. 1). Evidently, Asian hip hop tunes had to undergo acceptance tests. Correspondingly, Asian rappers had to adapt innovative measures that ensured their products were appreciated by their audiences. Asian hip hop breakthrough was difficult to achieve. Nonetheless, Asian rappers overcame the hip hop industry hurdles and created a fearsome impact.

Asian American hip hop artists were rarely acknowledged in American rap industry. Capable Asian American rap groups staged their performances at minor concerts in America. Far East Movement, a miniature rap group, encountered continuous tests. Rap music observers questioned the Far East Movement rappers if they were to rap in their native language.

Listeners approached the artists with complete cynicism (Woo, 2007 p. 1). Regardless of the presented tests, majority of Asian American rappers absorbed the mockeries. American hip hop industry faced similar obstacles in a quest to gain acceptance. Asian hip hop music has made tremendous strides and has achieved remarkable standings.

Asian hip hop artists have emerged from societies around the world. America, in particular, has produced adoring Asian hip hop musicians.

Youngsters have personalized Asian hip hop universally making it an important aspect of their lifestyles. The young adults in their formative years have developed skills as singers, dancers, and disco jockeys. However, their efforts have ended in futility. A false opinion on the youngster’s music has been propagated. Asian hip hop music audiences identified the melodies and way of life as indistinct (Wang, 1998 p. 1).

Discernments from Asian hip hop listeners impacted negatively on Asian hip hop progression. Acceptance of Asian hip hop can be likened to the American hip hop. American hip hop encountered challenges of recognition prior to the melody’s breakthrough. Advanced methods were established to promote American hip hop music and culture. Similarly, music endorsement tactics ought to be modified for the Asian hip hop music.

An appreciation of the hurdles by the American hip hop industry enabled them to realize their dreams. The American hip hop music industry applied promotion strategies that elevated their market share. Asian hip hop music industry has endorsed comparable strategies.

Musical gatherings have been utilized in supporting up coming artists and promoting existing musician on global scales. Asian hip hop music has overcome hurdles related to audience perceptions. Hip hop music genre was established in the global music arena over the decades. Musical groups have emerged from neighborhoods in American and Asian cities.

Generally, Asian hip hop music might be developed to attain higher ratings if the industry was promoted. An internal acceptance by local fans helped advance the status of American hip hop. Similar plans should be instituted in the Asian hip hop industry.

Asian hip hop music was adapted for American hip hop music; therefore, polices applied to promote American hip hop might work for Asian hip hop music. Both American and Asian hip hop music are established under similar ideologies. Therefore, tactics applied in expansion of American hip hop can be replicated for the Asian hip hop music.

Works Cited

Chiao, Christine. Name of the Game. Asian Pacific Arts. 7 Sept 2007. Web.

Takatsuki, Yo. . 17 Dec 2003. Web.

Wang, Oliver. Asian Americans and hip-hop. Asianweek.com. 18 Nov 1998. Web.

Woo, Michelle. The Far Side. I am Korean. 1 Dec 2007. Web.

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1. IvyPanda. "Hip Hop Infiltrates Asian Music Industry." July 22, 2019. https://ivypanda.com/essays/hip-hop-infiltrates-asian-music-industry/.


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IvyPanda. (2019) 'Hip Hop Infiltrates Asian Music Industry'. 22 July.

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