Architectural designs are developed by carving space out of space and subdividing space through multiple tools, such as shapes, colors, and geometry (Trocchianesi and Pirola 261). Watching the “Beliefs Made Visible” reveals carvings from various materials, such as rocks and wood, making decorative artifacts with architectural, cultural, and religious meanings. For example, the statues of important Buddhist figures have religious and architectural meanings.
The buildings in which people live, worship, or work can create a better cultural understanding. For instance, it is possible to learn about the prominent figures in a given society through constructions (Trocchianesi and Pirola 264). Significant lessons can be learned because many communities name significant structures after powerful political or religious leaders. Religious buildings, such as churches tend to display respected religious figures’ statues or images. For example, Buddha, a meditator, spiritual leader, and philosopher who founded Buddhism, features significantly in Buddhist temples. Religious buildings have unique symbols, communicating what they stand for or their purpose. Observing several churches in a given area would symbolize a Christian culture or community.
Burj Khalifa, which opened on January 4, 2010, in Dubai, UAE, represents shared culture. As the tallest tower globally, the building signifies the artistic accord of numerous cultures from across the world. With more than 160 stories and standing over 2,716.5 ft. tall, the skyscraper remains the tallest free-standing structure and the highest occupied floor worldwide. It is also the elevator with the longest travel distance. It was constructed at the cost of $1.5 billion, and the prices of its apartments continue to appreciate each year due to the ever-increasing demand. The building symbolizes the shared culture of materialism in which many people across the world are attracted to lavish lifestyles.
Work Cited
Trocchianesi, Raffaella and Matteo Pirola. “Metaphorical Spaces. The Art used by Designers to Explore, Experiment and Express Concepts of Interiors.” The Design Journal, vol. 9, no. 2, 2017, pp. 261-272.