The chosen art object is an acrylic painting by Granville Redmond, which belongs to 1871-1935 Los Angeles, CA, of the size 16” x 20”. The works of this artist are famous for their tones that bring out a peaceful quiet to emotional and beautiful Impressionist scenes. This painting belongs to the still-life art style. Still-life purpose contrasts with figure drawing, which centers around a live human model. With a still-life, you realize the articles will not at any point move, and you can rehearse objects with various properties like gleaming metal, clear porcelain, or bulbous apples. You can mastermind any assortment of lifeless things to be the subject of still-life. Containers of blossoms are a mainstream decision since they comprise basic shapes and are simple to duplicate in real life.
From exceptionally utilitarian Ancient Egyptian frescoes to ultra-pragmatist Dutch Golden Age works of art and current three-dimensional establishments, still-life fine art keeps on being a perceived artistic expression. It comprises a fundamental portion of any legitimate historical center of craftsmanship. Vanitas’ lives were a broad sort of Dutch still-life. Their creation frequently incorporated a skull, an image of mortality just as bad organic products, all tokens of the progression of time and the temporary idea of life.
Typically highlighting a dark foundation, they helped the viewer remember the conviction of death and that every one of the affluent articles, great dining experiences, and extravagant settings. One more regular subject for Dutch artistry at the time was blossoms in a container. One specific flower usually addressed was tulips. As the Netherlands and Amsterdam turned into the most significant maker of the rose, a masterminded bunch of tulips was an entirely satisfactory subject and was typically painted with oil on the material. The presented piece of art accurately resembles a painting that belongs to still art. It uses inanimate objects as various kinds of flowers and a vase similar to Dutch still-life. It also features a dark background which is typical for such paintings to illustrate the fragility of objects.